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Bryan Hymel enjoys further acclaim for Héroïque

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Bryan Hymel highlights his range of skill and musical depth in his debut Warner Classics album Héroïque, which continues to generate critical acclaim. The Observer writes that the American tenor “is capable of more than just feats of strength, finding romantic desperation in the prison scene from Verdi’s Les Vêpres Siciliennes and tragic dignity in ‘Inutiles regrets’ from Berlioz’s Les Troyens…[A]rtists like Mr. Hymel are the wave of the future.”

Sinfini Music adds, “If Hymel had been born a generation earlier we might have had The Four Tenors. That’s how good he is. And while the American may have missed out on that particular mother lode, he’s well on the way to present-day supremacy in the kind of repertoire that Carreras, Domingo and Pavarotti once favoured.”

“With a voice that soars to startling highs and an ease in taking new roles, tenor Bryan Hymel has quickly found himself in the league of top opera stars — and is pushing full speed ahead,” noted The Daily Mail. Classics Today concluded, “This is a major release by a major tenor with the type of voice we rarely get to hear.”

Bryan Hymel brings “power and sensitivity” to La Bohème in Dallas

Screen Shot 2015-03-18 at 5.51.22 PMAmerican tenor Bryan Hymel has earned further acclaim this week for his performance in the Dallas Opera’s La Bohème. As Rodolfo, Bryan’s “appealing fibrous tenor soars stirringly,” according to the Dallas Morning News. TheaterJones.com held praise for his “virile Italianate sound…somewhat creamier and smoother than the pure squillando.”

The Dallas Observer concurred, noting that “Hymel expresses [his ardor] with both power and sensitivity in the aria, ‘Che gelida manina.’” In praising the tenor’s “spectacular” voice, D Magazine added, “He has a naturally strong, gorgeous sound that is both powerful and rich.”

La Bohème continues at the Dallas Opera through March 29.

 

Bryan Hymel dubbed “new king of the high Cs” with release of Héroïque

cdq310c CD Label EuropeIn response to the recent release of Héroïque, Bryan Hymel’s debut solo album, NPR proclaimed, “Pavarotti, roll over. There’s a new king of the high Cs,” adding that “Hymel’s voice is rare these days: a combination of Wagnerian muscle and bel canto refinement, comfortable in the stratospheric register… strong enough to soar above a full orchestra and suave enough for sweet-toned love scenes.… This is why we listen to opera!”

The New Orleans-born tenor is earning consistent acclaim for his debut on Warner Classics. The New Yorker wrote, “The emergence of a first-rate tenor is always a cause for celebration, but Hymel’s rare gift for singing the French ‘heroic’ repertory—which demands a unique mixture of power, refinement, and technical flexibility in the highest vocal register—makes him doubly valuable.”

“If Hymel didn’t exist, as the old adage goes, it would be necessary to invent him,” noted Presto Classical. “What makes Hymel stand out is that he’s endowed with an almost freakish combination of vocal qualities which hardly ever come together in one singer.… He opens with an extended scene from Guillaume Tell, which lies murderously high even by Rossini standards; the handful of tenors who sing it at all tend to be light bel canto specialists, but the visceral thrill of hearing a voice with Hymel’s full-bodied heroic ‘ring’ scaling the heights is really quite something.” Opera Magazine named Héroïque its album of the month and wrote “It’s hard to imagine that any fan of French repertory will not want this very exciting, unhackneyed CD by Bryan Hymel.” ForumOpera.com concluded, “Bryan Hymel appartient à cette glorieuse lignée de guerriers intrépides, l’aigu imparable, les forces inépuisables.”

Click here to add Héroïque to your collection.

 

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